13.97 X 10.16 X 29.21 cm
This form resembles a composite floral — suggesting an ancient botanical entity that holds memory.
Its center, filled with tube-like white forms, feels receptive of organic intelligence.
In mythic memory, flora were not passive backdrops but active participants. In the Ramayana, the trees of Panchavati whispered. Garuda wasn't the only messenger — the vines, the fruits, the winds that moved the leaves — all knew something. They too bore witness. When Lakshman lay unconscious, it was not merely Hanuman who flew; it was the herb on Dronagiri, Sanjeevibhuti, that held the will to heal. Nature's memory stirred to answer the call.
From Gandhamadana's mountain herbs to the Kalpavriksha of Vaikuntha, vegetation has long carried divine purpose. This ceramic form, then, can be seen as one such ancient flora-being. It does not speak, but when the wind of dharma blows through, it reveals direction.
13.97 X 10.16 X 29.21 cm
This form resembles a composite floral — suggesting an ancient botanical entity that holds memory.
Its center, filled with tube-like white forms, feels receptive of organic intelligence.
In mythic memory, flora were not passive backdrops but active participants. In the Ramayana, the trees of Panchavati whispered. Garuda wasn't the only messenger — the vines, the fruits, the winds that moved the leaves — all knew something. They too bore witness. When Lakshman lay unconscious, it was not merely Hanuman who flew; it was the herb on Dronagiri, Sanjeevibhuti, that held the will to heal. Nature's memory stirred to answer the call.
From Gandhamadana's mountain herbs to the Kalpavriksha of Vaikuntha, vegetation has long carried divine purpose. This ceramic form, then, can be seen as one such ancient flora-being. It does not speak, but when the wind of dharma blows through, it reveals direction.
